Nón lá
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| Nón lá | |
|---|---|
 Popular headgear of Vietnamese people | |
 The two most popular nón lá designs today | |
| Vietnamese name | |
| Vietnamese alphabet | Nón lá |
| Chữ Nôm | 𥶄蘿 |
Nón lá (chữ Nôm: 𥶄蘿; lit. 'Leaf hat') or nón tơi (𥶄𥵖) is a type of Vietnamese headwear used to shield the face from the sun and rain.[1] It is a common name for many types of hats in Vietnam, but now it is mainly used to refer to cones with pointed tips.
The hats have been worn since ancient times to protect the wearer from the sunshine and rain of Vietnam's tropical monsoon climate. There were no archaeological evidence for an ancient origin of Vietnamese nón lá, although the hat itself is widespread across many Asian societies and was often associated with the peasantry.[2] The recent and typical design of the non la was highly modeled after the coolies hat worn by Chinese laborers in British Malaya during the late 19th century.[3]
In Vietnam today, there are a number of traditional hat-making villages, including Đồng Di (Phú Vang), Dạ Lê (Hương Thủy), Trường Giang (Nông Cống), Phủ Cam (Huế), and Chuông (Thanh Oai - Hanoi).
Characteristics
[edit]
Nón lá are typically woven with different types of leaves such as palm leaves, let leaves, straw, bamboo, mortar leaves, hồ leaves, pandan leaves, and du quy diệp leaves.
Cones are usually conical in shape, but there are also some types of cones that are wide and flattened. The conical leaves are arranged on a frame consisting of small bamboo slats bent into an arc, pinned with thread, or silk or monofilament. The spokes are made into thin, small and supple bamboo sticks and then bent into circles of different diameters to form cones. All are arranged next to each other on a pyramidal mold.
Nón lá is made by flattening each leaf, cutting the top diagonally with scissors, threading around 24 to 35 leaves together with a needle for one turn, and then equally arranging them on the hat mold. Since the conical leaves are thin and easily destroyed by heavy rain, the artisans created a layer between the two layers of conical leaves using the dry bamboo sheath, giving the hat strength and durability.
In the next stage, the craftsman uses rope to tie the conical leaves that have been spread evenly on the mold with the hat frame together and then they begin to sew. The worker puts the leaves on the side of the cone and then uses a wire and a sewing needle to make the hat into a pyramid. After forming, the hat is coated with a layer of varnish to increase durability and aesthetics (can add art decoration for hats used in art). In the middle of the 3rd and 4th spokes, the worker uses only two symmetrical pairs to tie the straps. Straps are usually made from velvet, soft silk, with many colors.
Classification
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Nón lá is a common name for many other types of hats:
- nón ngựa or nón Gò Găng made in Bình Định, made of lụi leaves, often used when riding a horse
- nón cụ, often worn in weddings in South Vietnam
- nón Ba tầm, popular in the North of Vietnam
- nón bài thơ, a thin white conical hat with pictures or a few verses usually from in Huế
- nón dấu, a cap with pointed tips of beast soldiers from the feudal period
- nón gõ, a hat made of straw, grafted for soldiers in the feudal period
- nón khua, a cap worn by servants of feudal mandarins
- nón rơm, a hat made of hard-pressed straw
- nón cời, a type of hat with tassels at the edge of the hat
- nón lá sen or nón liên diệp
- nón thúng, a round conical hat similar to the basket's basket, from the idiom "nón thúng quai thao"
- nón chảo, with a cone that is round on the top like an upside-down pan[4]
Today, it is most commonly referred to the type of cone with a pointed tip.
Uses
[edit]
Nón lá are often used to protect the wearer from the sun, rain, and can be used as a fan. Sometimes it can be used to draw water or to store it. Today, nón lá are also considered a special gift for tourists when visiting Vietnam.[5][6]
Cultural Aspects
[edit]
In theatrical art, nón lá appear in the girls' dance performances.[7] It can be used within choreographies to create intricate illusions through the gentle and flexible movements of the dancers.[8]
See also
[edit]References
[edit]- ^ The World Book encyclopedia. Vol. 20. Inc World Book. Chicago, IL. 2022. p. 366. ISBN 978-0-7166-0122-7. OCLC 1264736023.
{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link) - ^ Beyond the Bamboo Curtain: Understanding America's Invisible Minority. Bookclick 360 Wordeee. 8 November 2023. ISBN 978-1-959811-15-2.
- ^ The Cambridge Global History of Fashion: Volume 2: From the Nineteenth Century to the Present. Cambridge University Press. 17 August 2023. ISBN 978-1-108-85147-3.
- ^ Đại-học sư-phạm Huế. Dòng Việt. 2000. pp. 105–107.
- ^ "Nón lá trong đời sống". Cà Mau newspaper.
- ^ ""Du lịch nón lá" hấp dẫn khách quốc tế". VTV. 16 January 2016.
- ^ "Nón lá in cultural art". Báo ảnh Việt Nam.
- ^ "Non La – A Symbol of Vietnamese' Charm and Romance". vietnam.com. Retrieved 16 September 2024.